To Kill A Mockingbird Symbolism Essay

To Kill A Mockingbird Symbolism Essay-75
The Finch family is comprised of liberal lawyer patriarch Atticus and his two children, Scout (Mary Badham) and Jem (Phillip Alford).Their surname, Finch, draws connection to the mockingbird as a similar-looking small bird.

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Like the way a defenseless mockingbird can be shot dead despite doing no wrong and possessing no malice, Boo and Tom suffer the same consequence.

Their fates remind people about the dangers of ignorance and the need for understanding, the way Scout comes to see the world, else humanity exist shallow and spiteful indefinitely.

The resolution was not satisfactory: Robinson was wrongly convicted and died. The primary subplot is the story of Scout and Jem coming to realize that Boo Radley is a person and not just a freak. Ewell and Scout understands that it would be like killing a mockingbird to drag Boo into the limelight. They are the only people in the story who are imprisoned.

The conflict for the subplot is between the children and their own ignorance and immaturity. Tom Robinson is persecuted because he's black and Boo is persecuted by his parents for some long ago infraction.

Mockingbirds can do no harm; they only transmit beauty through song and visual glory.

Killing one, as is directly said in the film by Atticus Finch (Gregory Peck) to his children, is a sin.Tom Robinson, another character with an avian name (Robin-son), serves as the film’s other mockingbird.Having visited the home of Mayella Ewell on numerous occasions with the honorable intent to help her with household chores, he eventually becomes the recipient of her sexual advances. Heavy symbolism is placed on the idea of innocence throughout the picture, a theme represented by the mockingbird and reinforced through the creative construction of character names.The mockingbird is an image of helplessness that needs protected, only existing as a piece of purity.Like Boo Radley, Robinson is an innocent who wasn’t protected or respected.He is a mockingbird that was killed when his only intent was to spread joy to others.They aren’t the gifts of some bestial ghoul, but thoughtful little icons of attempted friendship that slowly morph Boo from a place of imagination to reality for Jem.As becomes known in the film’s final moments, Boo isn’t a monster but the psychologically wounded product of an abusive father.They are both at risk in the justice system of Maycomb. Wise men try to protect them both.” is told through the perspective of Scout.She walks away from the story having grown the most, understanding the sources of evil and prejudice in her town but not becoming jaded by them. you never really knew a man until you stood in his shoes and walked around in them.

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