Colors changing hue, morning field of amber grain, Field of Amber Grain - Wheat Field with Crows Weathered faces lined in pain, Weathered Faces: The Potato Eaters Are soothed beneath the artist's loving hand.For they could not love you, This is Van Gogh's tragic Death.The enormous whirling spiral engulfs the painting like a wave.Tags: Overseas Assignment JobsScholarships Essay ExampleEssay On Liberty John Stuart MillAbstract On A Research PaperEuropean Union Pros And Cons EssaysEssay Title Page Creator
This painting is a representation of what Van Gogh could see and reproduce from the asylum in St-Rémy-de-Provence.
It was during this tormented period in his life that he painted one of art history’s most famous paintings, which has been a part of the Mo MA’s permanent collection since 1941.
Now I understand What you tried to say to me How you suffered for your sanity How you tried to set them free.
They would not listen They did not know how Perhaps they'll listen now. Flaming flowers that brightly blaze, Swirling clouds in violet haze, Flaming Flowers - The Sunflower Series, Swirling Clouds - Starry Night Reflect in Vincent's eyes of china blue.
However, what if this spiral was simply inspired by the increasingly popular study of astronomy in the 19th century?
Van Gogh was infatuated with astronomy and regularly read “L’Astronomie” (Astronomy) magazine, which was edited by his friend Camille Flammarion.
So at night [he] goes out to paint the stars.” Therefore the sky becomes a means for Van Gogh to understand and explore one of the beliefs that preoccupies him the most; life after death.
This preoccupation is highlighted in Van Gogh’s choice of colour where dusty mauves and blue-black tones fill the sky, a choice that is reciprocated in his other works such as Astrophysicists have established that the moon and stars depicted in Van Gogh’s sky, match published astronomical observations in Saint-Rémy-de-Provence on the 25th May 1889.
Unlike the stars, the bell tower and village were not directly observed by the artist but were instead recreated from his imagination.
These two elements are at the bottom of the work, taking up just one third of the space.