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To create an emotionally involving and commercially successful screenplay, you must give your hero some compelling desire he or she is desperate to achieve. And if you want to take your character through an arc – to show some transformation in the protagonist – he must overcome some deep emotional fear. So to make it credible that your hero can achieve both what he wants and what he or she needs, you want to give him some help in the form of a reflection character.This is my term for the character who is most closely aligned with your hero – the best friend, partner, mentor or spouse whose primary function is to help the hero achieve the outer motivation and to urge the hero toward transformation.
Most of the essays are groundbreaking and incisive.' Thomas H.
Stories are built on a foundation of desire and conflict.
The volume will be particularly useful to NT Scholars, classicists, and modern theologians and ethicists who are interested in the theory and practice of friendship in antiquity. ' ..scholar interested in the letter to the Philippians dare overlook this book.' Edgar Krentz, Theology and Mission.
' These essays will interest not only Ntscholars, but also those in patristics, philology, philosophy, theology, and ethics…This is an excellent introduction to important ancient documents, the secondary literature that has developed, and interpretive method.
Like Shrek and Donkey, Will Hunting and Sean, or Mattie Ross and Rooster Cogburn, Bertie and Lionel confront and argue with each other far more than they get along.
This reveals two other principles for creating a powerful reflection: At some point in the story, the hero MUST reject the reflection character completely; and ultimately the reflection must remain loyal to the hero in spite of this hurtful rejection until the hero returns and aligns with the reflection once again.As in real life, a great reflection character is one who, no matter how difficult or painful, offers support, honesty, loyalty and real friendship.And one of the many wonderful gifts given by The King’s Speech is its simple story of two very different men who, through hard work and great courage, become friends.This is why Lionel keeps probing into Bertie’s past: to force Bertie to confront the wounds of his childhood and then find the courage to move past them.Bertie describes a childhood filled with pain and abuse: taunts for his stammering; an epileptic brother hidden away as an embarrassment; an abusive nanny; painful splints to correct his knock knees; and an unloving father demanding that Bertie live up to overwhelming expectations.The book's eleven essays are divided into three parts.The first part introduces the volume and discusses the three topics in the thought of Philodemus and Plutarch.Either way, the reflection character’s primary goal is to help the hero achieve the outer motivation.Reflections who are teachers are usually introduced after the beginning of the story – often around the first key turning point: the 10% opportunity.He then reveals the loneliness and isolation he has had to endure as a part of the Royal Family: As Lionel and Bertie rehearse the coronation ritual, Lionel enrages Bertie by sitting in the chair of Edward the Confessor. With Lionel’s help, he has confronted his fears, found his courage and his truth, and will now be able to achieve his goal of giving a magnificent speech, and to live his destiny as a great leader.In the climax of the film, as he nervously prepares to give the defining speech of his life, Bertie finally acknowledges his mentor: And in return, Lionel gives him one final instruction.