Since the end of United States involvement in Southeast Asia in 1975, popular film, theatre, literature, television and music have all frequently revisited Vietnam--each time contributing to an ongoing process of national rediscovery, evaluation, and understanding.In fact, some have argued that the war in Vietnam and its legacy can best be understood through an examination of the popular arts. if Vietnam is still stuck in our mind, part of the reason is our failure to absorb it through the arts.
The artist will keep on performing while the word of him and his music will spread from person to person.
Conformity will ultimately bring people together on the same viewpoint until eventually, there are thousands of people there with the artist to protest.
The war started the era of protest which, in turn, created a new form of music which incorporated a specific type of lyric that was a way of expressing protest through the song.
Since music in this era was already a big thing, artists thought it would be a good idea to get their political viewpoints out there.
Protest is not always in the form of picketing outside a private property. Some include picketing, rioting, mass gatherings, strikes, and petitions.
The difference between this and using music as a form of protest, aside from violence, is that music can be done in a way that almost everyone can appreciate. In fact, music is something that almost every human being in the world likes.The black walls of the Vietnam Veterans Memorial in Washington record the names of 58,022 Americans who gave their lives in a useless war; 300,000 others were wounded, and hundreds of thousands more still bear the emotional scars of their sacrifice in the losing cause. The plight of the Vietnam veteran was largely ignored during the five years following the fall of Saigon.The military and political implications of America's withdrawal certainly remained topics of popular debate among politicians, soldiers and media analysts, but the cost of "human" terms became an uncomfortable topic for such discussion.According to Bonior, Champlin, and Killy's book, The media, the Congress, the executive branch, the veterans organizations, almost without exception, concentrated their energies on the struggle for the ideology of the war, on the competence or intentions of its policy makers, or on the struggle of those who opposed the war while it was being fought. institutions did not carry their dead from the battlefield, offered no dignity to their wounded, but simply withdrew, leaving those whom they implicitly regarded as irrelevant to make their own way home.None acted as an advocate for the Vietnam veterans while the war was underway, so it is not surprising that new advocacy was not forthcoming at the war's close. The sense of collective guilt which America experienced over its neglect of the Vietnam veteran became political fodder for Presidential candidate Ronald Reagan in 1980.Perhaps no other event has so profoundly influenced the form and purpose of American popular culture during the past thirty years as the war in Vietnam.From Barry Sadler to Bruce Springsteen, from John Wayne to Charlie Sheen, from the , the American popular media have tremendously impacted our perceptions of America's longest war.The Vietnam war forever changed the way in which America viewed the waging of a war. Following its conclusion, the Vietnam war was the first war Americans actively sought to ignore and forget.According to Tom Morganthau, writing in In Vietnam alone, an estimated 1.9 million persons were killed during America's involvement in the war; 4.5 million more were wounded and 9 million became refugees.The style of music changes throughout each person but the core of music is similar in everybody.Music is something that brings everybody together and using it as a way of protest, for necessary reasons, is a great idea compared to the other forms of protest such as picketing, rioting, etc.