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Darryl Lorenzo Wellington - March 6, 2010“IN THE beginning was not the shadow, but the act.” Ralph Ellison’s cause and effect dictum is applicable to any cinematic adaptation of a literary work: Before there was the movie, there was the book.
Try to convince your reader by providing enough information that affirms your point of view.
A good example of a thesis statement of a movie review is: "Despite the strong performances and high-quality direction, the film's scripted characters lack depth and do not allow its talented cast to shine." Angeliki Coconi started writing in 1999 with the theater comedy "Loop," produced in Athens.
Sidibe doesn’t “portray” a character as much as embody her.
Her performance isn’t an amazing piece of acting; it’s amazing for precisely giving the impression that she isn’t acting at all.
Determine a feature of the movie that you would like to critically expand upon.
Identify a filmmaking quality or a story aspect that is integral to the film and elaborate on it, using script, art direction, camera work or acting elements that communicate this idea. After Precious is raped by her father, her mother, is angry not at the man, but at the child for "stealing" him. Her mother, defeated by life, takes it out on her daughter.A film review is more than just a summary of the film's plot.It should examine the film's deeper meaning as well as analyze its script, direction, photography and acting quality.That is the starting point for "Precious," a great American film that somehow finds an authentic way to move from these beginnings to an inspiring ending.Gabourey "Gabby" Sidibe, a young actress in her debut performance as Precious, says, "I know this girl. Sidibe is heartbreaking as Precious, that poor girl. This casting looks almost cynical on paper, as if reflecting old Hollywood days when stars were slipped into "character roles" with a wink.I know her in my family, I know her in my friends, I've seen her, I've lived beside this girl." We may have seen her, too, if we looked. Three other actresses perform so powerfully in the film that academy voters will be hard-pressed to choose among them. The comedian Mo'Nique plays Mary, Precious' chain-smoking couch potato of a mother, treating her daughter like a domestic servant and turning a blind eye on years of abuse. Rain, Precious' teacher, who is able to see through the girl's sullen withdrawal and her vulgarities, and wonder what pain it may be masking. But Lee Daniels, the director, didn't cast them for their names, and actually doesn't use any of their star qualities. Somehow he was able to see beneath the surface and trust that they had within the emotional resources to play these women, and he was right.Daniels began his career by producing "Monster's Ball," in which Halle Berry shed her glamour and found such depths that she won an Oscar.Why would a teacher and a social worker go to such lengths to intervene? Mary, the mother, is perhaps not a bad woman but simply one defeated by the forces she now employs against her daughter. The film is a tribute to Sidibe's ability to engage our empathy.Her work is still another demonstration of the mystery of some actors, who evoke feelings in ways beyond words and techniques.