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English: George Orwell in Hampstead On the corner of Pond Street and South End Road, opposite the Royal Free Hospital. In paragraph 16, Orwell compares "his words" to "cavalry horses answering the bugle", which create an analogy that is effective because both words and cavalry horses are powerful.4: Removing the extensive uses of examples in paragraphs 5, 6, 7 and 8 weakens Orwell's argument, and makes the passage less interesting and boring to read.
and when you make a stupid remark its stupidity will be obvious, even to yourself.” Reach me at @hiltzikm on Twitter, Facebook, Google or by email.
Passarella AP Lang January 27 2014Politics and the English Language: Questions on Rhetoric and Style1: Orwell's thesis is somewhat stated, but also implied.
Professor Harold Laski (Essay in Freedom of Expression) 2.
Above all, we cannot play ducks and drakes with a native battery of idioms which prescribes egregious collocations of vocables as the Basic put up with for tolerate, or put at a loss for bewilder. On the one side we have the free personality: by definition it is not neurotic, for it has neither conflict nor dream. Timidity here will bespeak canker and atrophy of the soul.
I will come back to this presently, and I hope that by that time the meaning of what I have said here will have become clearer.
Meanwhile, here are five specimens of the English language as it is now habitually written.When the Voice of Britain is heard at nine o'clock, better far and infinitely less ludicrous to hear aitches honestly dropped than the present priggish, inflated, inhibited, school-ma'amish arch braying of blameless bashful mewing maidens!Letter in Tribune Each of these passages has faults of its own, but, quite apart from avoidable ugliness, two qualities are common to all of them.Now, it is clear that the decline of a language must ultimately have political and economic causes: it is not due simply to the bad influence of this or that individual writer.But an effect can become a cause, reinforcing the original cause and producing the same effect in an intensified form, and so on indefinitely.The winner and still champ, Orwell’s “Politics and the English Language” stands as the finest deconstruction of slovenly writing since Mark Twain’s “Fenimore Cooper’s Literary Offenses.” Orwell’s essay, published in 1946 in Cyril Connolly’s literary review Horizon, is not as sarcastic or funny as Twain’s, but unlike Twain, Orwell makes the connection between degraded language and political deceit (at both ends of the political spectrum).“The word Fascism has now no meaning except in so far as it signifies ‘something not desirable,’ he writes, then points a finger at words like democracy, socialism, freedom, patriotic, realistic and justice.Most people who bother with the matter at all would admit that the English language is in a bad way, but it is generally assumed that we cannot by conscious action do anything about it.Our civilization is decadent and our language — so the argument runs — must inevitably share in the general collapse.That shows how prose consists of words that aren't necessarily chosen for their meaning, but instead just because it's easy.In Paragraph 12, Orwell uses a similie to compare someone "choking" to "tea leaves blocking a sink", which shows how the author knows what he wants to say, but sometimes he has too many "stale phrases" in his head. Licensed under CC Attribution Share Alike 2.0 license" data-lightbox="media-gallery-1567787960"In paragraph 15, Orwell uses a similie to compare "a mass of Latin words fall upon the facts" to "soft snow", which blurs the outlines, and covers up the details.