These pieces, although narrative, focus on fact, leading to a bigger and more universal concept.
In every issue, Creative Nonfiction publishes “big idea/fact pieces”—creative nonﬁction about virtually any subject—from baseball gloves to brain surgery to dog walking to immortality or pig roasting.
A how-to guide from the "godfather behind creative nonfiction" (Vanity Fair) and founder and editor of Creative Nonfiction. Lee Gutkind, the go-to expert for all things creative nonfiction, taps into one of the fastest-growing genres with this new writing guide....
defines 'creative' as 'resulting from originality of thought or expression'.
The word “creative” has been criticized in this context because some people have maintained that being creative means that you pretend or exaggerate or make up facts and embellish details. It is possible to be honest and straightforward and brilliant and creative at the same time.
"Creative” doesn’t mean inventing what didn’t happen, reporting and describing what wasn’t there.
The idea of scenes as building blocks is an easy concept to understand, but it’s not easy to put into practice.
The stories or scenes not only have to be factual and true (You can’t make them up! Writing in scenes represents the difference between showing and telling.
There are no limits to the subject matter as long as it is expressed in a story-oriented narrative way.
These are stories almost anyone could research and write.