He sometimes collaborated with the dramatist Francis Beaumont and other writers, including William Rowley, Nathan Field, Philip Massinger, and, apparently, Shakespeare.
He may also have collaborated with Ben Jonson and George Chapman.
Among the notable plays he wrote with Beaumont are A King and No King, Philaster, and The Maides Tragedy. Attending a play in Shakespeares time required theatregoers to use their imaginations to visualize settings, events, and personages from another time.
This was no easy task, for props and special effects were severely limited.
Katherine of Arragon (Catherine of Aragon): Queen of England until Henry deposes her.
She is the noblest and most virtuous character in the play.
He attempts to defeat Henry's plan to marry Anne Bullen, promoting instead a marriage between Henry and a French duchess.
His duplicity, formidable as it is, eventually catches up with him, and he loses everythingpower, property, and life.
Perhaps the biggest limitation of all was that males played all the characters; law and custom forbade females from acting.
It is no wonder, then, that Shakespeare reminded audiences from time to time to activate their imaginations at the beginning of a performance.