Harmony In Read Essays

Harmony In Read Essays-57
We should be forever grateful to our super ears for making all those complex calculations for us and express-delivering a ready-to-use pitch to our minds. Let any pitch-producing material vibrate at a number of different frequencies and you get:(1) a chord if all sounded at the same time,(2) a melody if each sounded at different times.During the latter, the ratios of sound to silence feel like rhythm and the ratios between the frequencies feel like harmony. If we maintain the same ratio between the various instances of a beat and apply enormous speed to it, it will transform inside our mind into a chord.What about those Wynton Kelly chords on Kind of Blue?

We should be forever grateful to our super ears for making all those complex calculations for us and express-delivering a ready-to-use pitch to our minds. Let any pitch-producing material vibrate at a number of different frequencies and you get:(1) a chord if all sounded at the same time,(2) a melody if each sounded at different times.During the latter, the ratios of sound to silence feel like rhythm and the ratios between the frequencies feel like harmony. If we maintain the same ratio between the various instances of a beat and apply enormous speed to it, it will transform inside our mind into a chord.What about those Wynton Kelly chords on Kind of Blue?

The good karmic effects of spreading love and compassion extends to everyone, creating bridges to understanding and peace.

There is strong evidence for the healing power of sound.

It seems that we’re hearing one sound but that sound is composed of an infinite number of notes called partials or overtones.

The first overtone is double the frequency of the fundamental; the second is 3 times the fundamental and so on so forth forever.

When we say A = 440 Hz it means that when A is played on an instrument, the rate at which the air vibrates is 440 times per second.

Harmony In Read Essays Archibald Macleish + Essay

The eardrum picks up these vibrations and sends them in as one tone.

Given that pitch is all about the cycles per second it produces, any sound should, in theory, produce a pitch if we let it run at the same frequency.

Take any sound you can think of, such as a spoon hitting a plate, a knock on the door or the sound of your sneeze, put it in an audio software and speed it up to 440 times per second and you will hear the note A.

The reason for this is that when the space between the two sounds becomes extremely short, our ears stop hearing the spaces and start perceiving a continuous sound whose pitch is determined by the number of cycles per second these two sounds are oscillating at.

This illusion is very much like in cinema where our eyes perceive the continuous motion of pictures once the frame rate is over 24 frames per second.

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