Essay Constant Beyond Love

Essay Constant Beyond Love-27
Imagine having the technology to essentially create loving and everlasting love with someone?With a “Love Implant,” couples would have the opportunity to grow stronger bonds with each other just by looking at one another.Now, says Williams, he was rising to the challenge of constructing a lengthy narrative: “The ability he has to maintain a level of suspense throughout is something that later became a powerful element of his novels.” n fact, it was the reporter’s capacity to anatomize human behavior—rather than simply pass along the facts—that first drew García Márquez to the newsroom. Elvira’s article made me aware of the reporter I carried sleeping in my heart and I resolved to wake him. García Márquez ended up leaving law school and working for a series of Colombian newspapers.

Imagine having the technology to essentially create loving and everlasting love with someone?With a “Love Implant,” couples would have the opportunity to grow stronger bonds with each other just by looking at one another.Now, says Williams, he was rising to the challenge of constructing a lengthy narrative: “The ability he has to maintain a level of suspense throughout is something that later became a powerful element of his novels.” n fact, it was the reporter’s capacity to anatomize human behavior—rather than simply pass along the facts—that first drew García Márquez to the newsroom. Elvira’s article made me aware of the reporter I carried sleeping in my heart and I resolved to wake him. García Márquez ended up leaving law school and working for a series of Colombian newspapers.

In addition, the life rafts on board were too small and carried no supplies, and the Navy called off the search for survivors after only four days.

By the time the series ended, El Espectador’s circulation had almost doubled.

The series marked a turning point in García Márquez’s life and writing career.

The government was so incensed that the newspaper’s editors, who feared for the young reporter’s safety, sent him to Paris as its foreign correspondent.

García Márquez thought it was absurd the way the government held up Velasco as an example of patriotic morality.

What’s more, he believed the sailor had sold out in a most unseemly manner—advertising the brand of watch he wore at sea (because it had not stopped) and the shoes on his feet (because they were too sturdy for him to tear apart and eat during his ordeal).After the series ran, the government denied that the destroyer had been loaded with contraband merchandise.García Márquez turned up the investigative heat: he tracked down crewmen who owned cameras and purchased their photographs from the voyage, in which the illicit cargo, with factory labels, could be easily seen.A month after his rescue, Velasco walked into El Espectador’s newsroom and offered the exclusive rights to his story.He had already told his tale to innumerable reporters as well as government officials, and the staff doubted he had anything new to add to the record.The diva was so arrogant and supercilious that she refused to answer any questions. Before many years passed I would prove this in my own flesh, until I came to believe, as I believe today more than ever, that the novel and journalism are children of the same mother . Yet he aspired to cover more substantive issues, including politics and government corruption, and to pursue investigative projects. and I knew that Salgar was the best teacher.” The editor taught him to how to communicate his ideas clearly and pare down his florid prose.Finally, her husband intervened and salvaged the interview. When he was first hired at El Espectador, García Márquez hoped to impress an editor by the name of Jose Salgar. Every time Salgar read one of García Márquez’s stories, he made “the strenuous gesture of forcing a cork out of a bottle and said, ‘Wring the neck of the swan.’ ” Soon, García Márquez was assigned the kinds of projects he had dreamed of pursuing.A few months later the government shut El Espectador down.The disappearance of his meal ticket forced García Márquez into the role of an itinerant journalist who sold freelance stories to pay the bills—and, crucially, continued to write fiction.The decks of the Caldas had been stacked high with television sets, washing machines, and refrigerators purchased in the U. These appliances, which were being ferried to Colombia against military regulations, had caused the ship to list dangerously.And because the Caldas was so overloaded, it was unable to maneuver and rescue the sailors.

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