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As modeled from the outset of that first film, he wasn’t just a defender of the working stiff—he was the working stiff.
"Bowling for Columbine"Why anyone would go into a school with tons of loaded guns and shot up their teachers and peers is almost beyond grasp. He looks are more than just the tragedy at Columbine High School, but also at the NRA's effects on people, the 2nd amendment, more school shootings and the United States compared to other countries gun-control theories.
He becomes a sociologist, exploring outside factors of the individuals.
He looks at how our society looks at group membership, this is called differential association, and how belonging to a certain group could reduce your chances of being deviant.
He also looks at the control theory, investigating the inner controls of people who use guns such as their morality lie conscience and religious principals.
Bush and post-9/11 warmongering, raked in a mind-boggling $222 million worldwide. Some have found the filmmaker’s ambition to bring awareness about his issues to as wide an audience as possible to get in the way of following the norms of traditional journalism.
But the fact is, Moore operates at the nexus of journalism, activism, and entertainment, and he merits evaluation from all three angles.
Along with this Moore investigates the outer controls such as family, friends and the police, and he see how these influence us not to deviate.
Although going against norms is usually viewed as wrong, without these types of norms we would have complete chaos.
Bowling for Columbine was just the third documentary feature for Moore, after his sleeper hit Roger & Me (1989) and national temperature check while on book tour The Big One (1997), which were interspersed with two television series, the Emmy-winning TV Nation (1994–95) and The Awful Truth (1999–2000).
All these projects featured Moore on camera, in his signature baseball cap, conspicuous glasses, nondescript jacket, jeans, and white sneakers, cozying up to common folk or interrogating persons in power.